Two-way pickslanting is probably the most popular method that elite players use for getting from one string to another during fast scale playing. Filmed at a low angle with a telephoto lens, viewers were treated to zoomed-in closeups of Batio's picking hand with an uncommon level of clarity: When it comes to instructional videos, one of the criteria that separates the great from the merely good is the attention paid to picking hand closeups. Was Batio was up to something? If there was a trick to this, it was hard to imagine what it might be.Īs it happens, Speed Kills itself held the answer. These kinds of exotic lines were rare in the vocabularies of other guitar greats, but they were clearly meat and potatoes for Batio. Ascending phrases, descending phrases, looping phrases, and sequential phrases were all executed with utter effortlessness. But it was his extreme accuracy on Speed Kills that really impressed. From the first frame to the last, it was a tour de force of hyper-clean, impossibly consistent scale picking that seemed more android than human. It was a standout instructional performance, even in a decade known for standout instructional performances. Batio's 1991 Metal Method instructional video, Speed Kills, is one of the greatest examples of three-note-per-string virtuosity ever committed to VHS tape.
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